CASTLE IN SPAIN
By Brenda Howley
The
steep and winding two-mile track that leads up, and up and up from
the Costa Tropical to Castillo San Rafael is like the stairway to heaven.
Step through the white archway
into this idyllic artists retreat, and its the closest youll
get to paradise, without the inconvenience of dying.
With your back to the sea, its on the right side of Malaga in more
ways than one. The scenery is breath-taking and its much quieter
than the package holiday hot spots of the Costa del Sol.
Some
3,000 years ago it was a Phoenician fortress, guarding the route to the
silver mines in the foothills of the Sierra Nevada.
In the mid 70s English artist Michael Still and his German wife Helga, a potter
with an impressive pedigree (shes a descendant of the famous Meissen
family) set about transforming it into their own Andalucian heaven on
earth.
Today leisure painters and professional artists from around the world come to
Castillo San Rafael to soak up the atmosphere, bask in the sunshine, share
their hosts love of Spanish food and flamenco - and to paint.
There are 12 bedrooms dotted about the garden. Each has an en suite bathroom,
private entrance and a small terrace.
Usually up to half the guests have been before, though when I was there only
Effie Rust from Wiltshire was a regular.
I hope youre not going to make it sound too good, she said.
Or Ill not be able to get in when I try to book again.
Alexandra Stieber, a management consultant from Amsterdam, was on her first
painting holiday. She chose San Rafael after seeing it advertised in The
Artist magazine.
I started painting on silk, and found it was a marvellous way to switch
my mind off business. I went on to acrylics, which I brought here with
me.
But after seeing Michaels oil pastels demonstration I decided to
give them a go. Id never have tried them otherwise, but I love the
immediacy of them and I will certainly continue with them when I get home.
She was one of several converts to his favourite painting medium
during the fortnight in September when I sampled the delights of Castillo
San Rafael.
Oil pastels are not widely understood, he said. Its
a chicken and egg situation. There arent any good instruction books
around, so people dont know how to use them. And because so few
people use them, publishers arent keen to produce any books.
I enjoy introducing them to people whove never tried them. Four
or five people from any group are usually painting with them by the time
they go home.
Frances Donnan, a potter from Down Patrick in Northern Ireland, started the
holiday painting in gouache, but thought her work looked rather flat.
I found oil pastels difficult at first but Im really into them now.
She went on to create some vibrant landscapes, using them on their own
on tinted paper, and as coloured resist with watercolours.
My painting got off to a shaky start, but Michael really pulls it out
of you.
Castillo San Rafael offers a wealth of painting opportunities, from detailed
studies of sub tropical vegetation to spectacular vistas down the Valderrama
gorge to the coast below. The painting course is entirely based there.
Sightseeing trips are organised to the Alpujerras, Granada and the Alhambra,
and there are opportunities to visit the nearby seaside towns of Almunecar
and La Herradura, but theyre not accessible under your own steam
unless you pack a mule in your hand luggage.
More
restless souls may feel restricted by its remoteness. Those seeking beauty
and tranquillity wont want to leave.
Michaels teaching style combines lectures and demonstrations with personal
discussion.. Whether youre painting in and around the gardens, or
up in the hills, he finds you. And the moment he drops by, you have the
feeling that he knows by instinct what aspect of the work is troubling
you and how to resolve it.
He doesnt go in for free-for-all group criticisms. Instead, he highlights
the most frequent pitfalls in his introductory talk, and deals with commonly
encountered problems and questions in lectures and demonstrations throughout
the holiday.
As a former lecturer in fine art and art history at Swansea College of Art,
the University of Wales, The Hill Residential College in Abergavenny and
with the Open University, he has an impressive track record.
He has a way with words, and a talent for explaining in terms that everyone
understands. As a beginner, I suddenly realised why I always felt compelled
to chop lumps off the sides of my paintings. I was suffering from wide
angle lens syndrome. Im cured now.
To tell the truth in painting, you have to lie, was a message we
all took home. The hills may be grey, brown and green, but if you
use only those colours, your work will look cold, and dead. You wont
express the heat, the vitality and atmosphere of Southern Spain. By painting
the truth, your painting actually becomes a lie.
The
next morning everyone was having a whale of a time with pink and purple
hills, orange skies and red trees.
Michael smiled wryly. Whenever I use the word colour, people always add
the word bright in front of it. Colour can be delicate too,
and still create atmosphere.
Creating atmosphere is a skill that the Stills have in spades. Every corner
of Castillo San Rafael is exquisite from the 100ft serpentine swimming
pool shaded by banana plants and palms, pepper trees and jacaranda to
the tiny garlands of jasmine and sparkling glassware on the dinner table.
We both believe life is art. I like good food, but it must be served on
a beautiful plate to be thoroughly enjoyed.
And youd be hard-pressed to find better food anywhere in Spain. Helgas
tapas are simply sensational.
The couple have embraced Spanish culture and the Andalucian way of life with
a passion and they are keen to share it. Michaels wine and
sherry tastings are an education.
Guitar
recitals and private world-class performances of flamenco are regular
features on the programme of evening entertainment. Forget the pale imitations
you may have seen in tourist hotels down on the coast. This is the real
McCoy.
|